On the cusp of womanhood, August Archer wakes up from powerful erotic dreams of werewolves to find her real life is even stranger, more violent, and more passionate than she ever could have dreamed in this modern-day telling of the Red Riding Hood story.
An adult retelling of beloved fairytale Little Red Riding Hood by author H. L. Brooks. Like the classic, there is a young girl named (August) Red, a grandmother living in a questionable, foliage bound residence, some pretty terrible parenting and of course the dangerous wolf with big eyes, big ears, big teeth and in this case, a rather large something else…
Unlike the story we all know and love, Red August contains a beast which is not entirely human nor entirely wolf, an errant mother who is definitely hiding something and an apothecary lady who deals in some rather unsavoury substances.
This is certainly a tale for the grown ups and not one that I would snuggle down to with my nephew and/ or niece of a Sunday eve. In other words there’s LOTS of sex in it. I don’t see this as a bad thing (so long as it’s true to the character, you can write whatever the heck you like my friend), but some people can be put off by this kind of fiction. If that’s you, Brooks has written a very interesting blog post explaining why there is quite a bit of sex in this book which you can read here.
I enjoyed the way that Brooks played with the well known story, bending the rules a little so that we could see alternate angles, and introducing us to characters and their backstories to enrich the experience.
My favourite element of the book is the setting. The deep dark woods with the flowing stream, which encompasses Grandma’s quaint if generously proportioned home. Then there are the occasional references to the family’s homeland, Scotland, which wasn’t explored nearly enough for me.
Like all good books, Red August is awash with mystery and intrigue. As we slowly unravel the family secrets, and learn more about Red’s past, her current situation does make more sense but I wanted more. I sometimes felt a little out of touch with what was happening, but I guess that’s how Red must have felt among her family for a little while.
For a writer, an amazing part of the storytelling process is to share an important message that transcends the superficial storyline and reaches readers on a personal level. Bearing this in mind, I think Brooks has missed a trick in this book. (Dear author, please do forgive me for the next paragraph if I’ve interpreted this wrong. I feel inclined to tell you here that I am on a very tight schedule what with me being very busy and important with work and studying. Also, last night my cat decided that I was not looking nearly fancy enough for slumber and so he rolled himself out into a furry wrap and donned my chest, stretching from shoulder to shoulder, and proceeded to purr with volumes to rival the deepest thunder, between the hours of 3am and 6am making me a very sleepy human today.)
What I mean by that is I feel that the author sometimes glosses over some of the heavier subjects. Allow me to illustrate. Towards the beginning of the book, following an intense bout of bullying, August is sexually assaulted in a most brutal manner by a boy from her new school. This whole episode is soon forgotten however when the rest of the story kicks in. There is no mention of this violent, sexually explicit experience later on, even in relation to August’s many sexual fantasies and later on in her intimate encounters with Faolon.
Whether this is to demonstrate August’s resilience to the mental effects of the attack (an attribute worthy of her new found family history?) or whether the whole incident is an example of unnecessary background information on the author’s part, I haven’t quite worked out yet. I’m inclined to go with the latter. The boy who attacked August is left out of the book altogether, once he has been ruthlessly dealt with. There is already so much going on in the book that this episode serves little purpose but to paint August as an unfeeling robot, which of course we know she isn’t. It could also be construed as a way to show August’s protective relationship with her mother (as she shields her mother from hearing about her attack) but their relationship is shown in various other ways anyway.
Either way, it adds a certain darkness to the story.
I enjoyed the whole concept of the Red August. You guys know I bloody love a fairytale with a modern twist.
I look forward to the next instalment of the Red August series, which I believe is due out in 2016!
Thanks Heather for sending me a copy of Red August to read and review.